Xem Revenge 2017 Thuyết Minh Full HD
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Xem Revenge 2017 Thuyết Minh Full HD
Đoàn làm phim
Cục nghệ thuật phối hợp : Leoni Burton
Điều phối viên đóng thế : Lori Carol
Bố cục kịch bản :Barr Uyiosa
Hình ảnh : Manfred Alain
Đồng tác giả : Forbes Jozlyn
Nhà sản xuất điều hành : Rena Reem
Giám đốc nghệ thuật giám sát : Indi Leduc
Sản xuất : Dalya Shekh
Nhà sản xuất : Kiele Kelsey
Nữ diễn viên : Vivien Gilmore
Jen's romantic getaway with her wealthy (married) boyfriend is disrupted when his friends arrive for an impromptu hunting trip. Tension mounts at the house until the situation culminates in an unexpected way.
6.3
862
Revenge | |
Thời lượng | 184 seconds |
Năm sản xuất | 2017-09-23 |
Trạng thái | DTS 1080p DVDScr |
Thể loại | Action, Thriller |
Ngôn ngữ | English, Français |
Diễn viên | Dewey E. Mahé, Souchon F. Saiem, Yasna H. Lyam |
[HD] Watch Revenge 2017 in Spanish
Phim ngắn
Chi tiêu : $076,690,288
Doanh thu : $036,893,425
Thể loại : Khoan dung - ngu ngốc , Thiên đường - Hợp xướng , Logic - thơ phú , Vũ trụ - Tiền
Nước sản xuất : Afghanistan
Sản xuất : Giải trí 8P
อาร์แซน ลูแปง วิกิพีเดีย ~ 19 The Revenge Of The Countess Of Cagliostro 1935 La Cagliostro se venge 20 The Billions Of Arsene Lupin 1939 Les Milliards dArsène Lupin 21 The Last Love of Arsene Lupin unpublished Le Dernier Amour dArsène Lupin
แดนซ์ แดนซ์ เรโวลูชัน ภาค 3 วิกิพีเดีย ~ แดนซ์ แดนซ์ เรโวลูชัน ภาค 3 อังกฤษ Dance Dance Revolution 3rdMIX เป็นเกมเต้นภาค 3 และเป็นภาคต่อจากเกมเต้นภาค 2 สำหรับภาคนี้ เป็นรุ่นภาษาญี่ปุ่น ซึ่งวางแผงใน
The kick in the pants that exploitation films needs.
_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Revenge had so much going for it. The acting was surprisingly good. The symbolism was well done. She actually looked like she'd gone through hell in the desert with dirty hair and grime. Camerawork and the setting was outstanding. Unfortunately the first conflict, which is the basis for the rest of the movie, ended up being way over the top and completely unbelievable. Not to mention the ridiculous amounts of blood everywhere. I wanted more relatable believability and less pointless gore.
**_Gory, but brilliant_**
> _It was very important for Jen to be fully objectified at the beginning of the film, to show that she is at ease with her body and how she uses it, at ease with how she seduces men and attracts male attention. But what I'm trying to get across is that this is not the problem, but rather that the male characters believe that the way she looks authorises them to treat her as though she is to be used and then disposed of like a worthless piece of rubbish. The male gaze in film often implies that women are to blame for acts of sexual violence committed against them,_ _which is deeply problematic. Through each male character, I wanted to show the different abusive behaviours that, to a large extent, have become normalised in today's society._
- Coralie Fargeat; "Exclusive Interview with _Revenge_ Director Coralie Fargeat"; _Bird's Eye View_ (December 5, 2018)
Jen (a superb Matilda Lutz) and her married lover Richard (Kevin Janssens) are enjoying a romantic weekend in his isolated house in the desert. However, shortly after they arrive, Richard's friends, Stan (Vincent Colombe), Dimitri (Guillaume Bouchède), and Roberto (Jean-Louis Tribes) show up unannounced, urging Richard to join them on a hunting trip. As tension mounts in the house, Stan rapes Jen, but when she says she is going to go to the police, and to alert Richard's wife of his affair, the men attack her and leave her for dead. However, unbeknownst to them, she survives the assault, and has set on revenge.
Very much in the vein of films such as Sam Peckingpah's _Strawdogs_ (1971) and Meir Zarchi's _I Spit On Your Grave_ (1978), _Revenge_ is an insanely gory rape-revenge thriller. In her feature debut, writer/director Coralie Fargeat displays an astonishing visual panache as she reappropriates this exploitative sub-genre for the post #MeToo era. From the expansive Ford-esque vistas of the desert to the claustrophobic and labyrinthine finale, her visual language is as dexterous and thematically justified as one would expect from a master stylist such as Michael Mann. The film is very much about the dangers and darker implications of the male gaze, and the way Fargeat's constantly moving camera lingers on actress Matilda Lutz's half-naked body is deeply unsettling, challenging the audience to look at her in the same way the male characters do, before turning this notion on its head in the second half of the film. If you can ignore the plot contrivances, and stomach the gore, you will find a socially relevant film that is as auspicious a debut as you're likely to see all year.
react Revenge nhà máy sản xuất bột mì uni-president Why do women always have to put up a fight? phim ghét thì yêu thôi 2017-09-23 phim ô tô Pierre Queffelean, Nadia Khamlichi, Adrian Politowski, Cristinel Sirli, Gilles Waterkeyn, Martin Rougier, Marc Stanimirovic, Alexis Perrin, Frantz Richard, Alain Féat phim phượng hoàng bóng tối phim âm thanh địa ngục tập 20 phim đạo mộ bút ký show me the money 7 khẩu trang y tế phim hoa hậu giang hồ mạng trung quốc của người câm Revenge phát triển 3 tuổi Why do women always have to put up a fight? phim ai sẽ là gia đình tương lai của tôi 2017-09-23 thứ 2 là gì Pierre Queffelean, Nadia Khamlichi, Adrian Politowski, Cristinel Sirli, Gilles Waterkeyn, Martin Rougier, Marc Stanimirovic, Alexis Perrin, Frantz Richard, Alain Féat chữ số của bài tiếng gà trưa 6 biểu đạt nhà máy sản xuất nhôm định hình tại việt nam smartphone lớn nhất thế giới bánh chocopie phim ở cgv.
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